Scottish Vowel Length Rule

Scottish vowel length rule

Scottish Vowel Length Rule 1

The Scottish vowel length rule (also known as Aitken's law after A. J. Aitken, the Scottish linguist who formulated it) describes how vowel length in Scots, Scottish English, and, to some extent, Mid-Ulster English is conditioned by the phonetic environment of the target vowel. Certain vowels are long before /r/, voiced fricatives or a morpheme boundary. Also, vowels in word-final open syllables are long.

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Forecasting test length

The formula can also be rearranged to predict the number of replications required to achieve a degree of reliability: n = x x ( 1 x x ) x x ( 1 x x ) displaystyle n=frac

ho _xx'^*(1-

ho _xx')

ho _xx'(1-

ho _xx'^*)

Scottish Vowel Length Rule 2

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Length disassembler

A length disassembler, also known as length disassembler engine (LDE), is a tool that, given a sequence of bytes (instructions), outputs the number of bytes taken by the parsed instruction. Notable open source projects for the x86 architecture include ldisasm, Tiny x86 Length Disassembler and Extended Length Disassembler Engine for x86-64.

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Correct length for login timeout?

The length of the time out is partly dependent on the sensitivity of the data and security of the application.For something like a banking site the time out needs to be quite short so that there is very little chance of someone getting access to the account if the user fails to log off.For something like Facebook the time out can be longer - though even there I think there should be some time out as there is still sensitive information someone could get access to. How short is too short? - if the user can not complete the most common actions within the time out then it's too short. For example, if you are reviewing your bank statement you need the data to be visible for a few minutes so you can mark off transactions etc. Any shorter and you would have to refresh the page and could lose your place. For your application you will need to time common activities and make the time out a little longer than that

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length width height. Everyone says length is ussually the longest dimension, but when is it not? ?

Uhh...perhaps when width and/or height happen to be greater?

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Effective length

For antennas which are not defined by a physical area, such as monopoles and dipoles consisting of thin rod conductors, the aperture bears no obvious relation to the size or area of the antenna. An alternate measure of antenna gain that has a greater relationship to the physical structure of such antennas is effective length leff measured in metres, which is defined for a receiving antenna as: l eff = V 0 / E s displaystyle l_texteff=V_0/E_s, where V0 is the open circuit voltage appearing across the antenna's terminals Es is the electric field strength of the radio signal, in volts per metre, at the antenna.The longer the effective length the more voltage and therefore the more power the antenna will receive. An antenna's gain or Aeff increases according to the square of leff, and that this proportionality also involves the antenna's radiation resistance. Therefore, this measure is of more theoretical than practical value and is not, by itself, a useful figure of merit relating to an antenna's directivity.

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Feature length films

Corazn aymara (Aymara heart, 1925) La profeca del lago (The prophecy of the lake, 1925) El centenario de Bolivia (Bolivia's centennial, 1925) La gloria de la raza (The glory of the race, 1926) Wara-Wara (Aymara for "stars", 1929) Hacia la gloria (Towards glory, 1932) La campaa del Chaco (The Chaco campaign, 1933) Infierno verde (Green hell, 1936) Al pie del Illimani (At the feet of the Illimani, 1948) Detrs de los Andes (Behind the Andes, 1954) La vertiente (The spring, 1958) Ukamau (Aymara for "That's the way it is", 1966) Mina Alaska (Alaska mine, 1968) Yawar Malku (Blood of the Condor, 1969) Volver (To return, 1969) Viaje a la independencia por los caminos de la muerte (A trip to independence by the paths of death, 1970) Crimen sin olvido (Unforgotten crime, 1970) El coraje del pueblo (The Courage of the People, 1971) Patria linda (Beautiful country, 1972) El enemigo principal (The Principle Enemy, 1973) Pueblo chico (Small town, 1974) Seores generales, seores coroneles (Gentlemen generals, gentlemen colonels, 1976) La chaskaawi (Quechua for The woman with eyes like the morning star, 1976) Chuquiago (Aymara name for La Paz, 1977) Fuera de aqu (Get out of here, 1977) Los octavos juegos deportivos bolivarianos (The Eighth Bolivarian Sports Games, 1978) El embrujo de mi tierra (The bewitching of my country, 1978) El lago sagrado (The sacred lake, 1981) El celibato (Celibacy, 1981) Mi socio (My partner, 1982) Las banderas del amanecer (The flags of dawn, 1983) Amargo mar (Bitter sea, 1984) Los hermanos cartagena (The Cartagena brothers, 1985) Tinku, el encuentro (Tinku, the encounter, 1985) La nacin clandestina (The Hidden Nation, 1989) Los igualitarios (The egalitarians, 1990) Viva Bolivia toda la vida (Long live Bolivia always, 1994) Para recibir el canto de los pjaros (To receive the song of the birds, 1995) Jons y la ballena rosada (Jonah and the pink whale, 1995) Cuestin de f (A matter of faith, 1995) Sayariy (Quechua for "Get up", 1995) La oscuridad radiante (The shining darkness, 1996) El da que muri el silencio (The Day Silence Died, 1998) Escrito en el agua (Ever Changing Waters, 1998) Verse (Verse, 2009)

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